Book Review: The Island of Lost Maps: a true story of cartographic Crime (by Miles Harvey)

Miles Harvey takes us on a journey where maps and travel, character and obsession, and crime come together and where the “strange borderland between inner life and outer experience, dreams and memory, body and soul” is explored. Map aficionados are bound to love The Island of Maps. Readers who are also writers will want to explore how Harvey reveals the shadowy Gilbert Bland and how it leads Harvey to character insights of himself.

Miles Harvey—who tired of reading other people’s escapades in his role as book-reviewer and columnist for Outside magazine—began to crave an adventure of his own:

Or maybe adventure isn’t quite the word. It was not that I had any particular desire to do something death-defying; what I wanted was a quest, a goal, a riddle to solve, a destination.

Harvey found his quest in crime, in his search to understand Gilbert Bland’s map thefts and, as it turns out, obsession. Along the way, we discover the fascinating world of old maps and cartographic traders. And we discover something of the character of both Bland and Harvey. We also discover the magic that is old maps.

Throughout the centuries people have viewed maps not just as useful navigational tools but as enchanted objects…. Columbus, himself, for instance, seemed to think maps were endowed with a force that transcended mere matters of geography. They stoked his imagination, inspired the flights of fancy that made his great discovery possible. The sixteenth-century chronicler Bartolomé de Las Casas wrote that when Columbus gained access to a map the Florentine scientist Paolo del Pozzo Toscanelli it “set [his] mind ablaze.”

And who among us hasn’t dreamed of maps: maps where dragons hover beyond the known edge of land; treasure maps promising trunks brimming with pearls and gold; maps to hidden, idyllic places (think about Lost Horizon’s Shangri La)? Harvey notes that maps can cast powerful spells on our imagination:

Throughout the centuries people have viewed maps not just as useful navigational tools but as enchanted objects—what [Joseph] Campbell called ‘amulets’ and [Werner]Muensterberger described as ‘power-imbued fetish[es].”

Harvey seeks Bland, the shadowy man of maps, hoping to penetrate his character—to understand why and how he became the most famous of map thieves. He concurs with Campbell, who he quotes:

As Freud has shown, blunders are not the merest chance. They are the result of suppressed desires and conflicts. They are ripples n the surface of life, produced by unsuspected springs. And these may be very deep—as deep as the soul itself. The blunder may amount to the opening of a destiny.

You can see how circuitous Harvey’s journey has become.

Along with Bland, Harvey explores the worlds of mythology and literature. Among the authors in his voluminous research is Aldous Huxley who wrote about what lurks in “‘the antipodes of the mind.’” With this, Harvey

…sensed that I was on a collision course with one of those ‘strange psychological creatures leading an autonomous existence according to the law of their own being.’ It was one discovery, I feared, that would bring no joy at all.

During his search he enters a world he didn’t know existed, a world of persons obsessed. His pursuit of a story about a series of rare-map thefts, and for insight into the character of the thief, eventually twists inward. He comes to the realization that…

We rarely reach our destinations, at least not the ones we set out to find. More often, we arrive one day at a place unfamiliar and unexpected, where all roads suddenly seem to converge and something—the ineffable smell of fate or the stench of defeat or (likeliest of all) sheer exhaustion—tells us the journey is over. In my case it was the knowledge that I had wandered too far. We do not take trips so much as they take us….

Harvey was four years researching and writing The Island of Lost Maps. Along the way, he discovered some truisms about the “strange borderland between inner life and outer experience, dreams and memory, body and soul.” For these, you will want to read the epilogue.

For reading as writers, pay particular attention as to how Miles Harvey’s search to understand Gilbert Bland’s character leads to insight about the author’s own. Besides character, if you are writing about obsession, there’s much to learn by being attentive as to how Harvey layers his story to reveal many facets of this kind of passion.

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Available through your local bookstore or online: The Island of Lost Maps: A True Story of Cartographic Crime

Book Review: The Story of a New Name (by Elena Ferrante, tr. by Ann Goldstein)

The Story of a New Name is a great summer read. It will take you into Italy, a specific Neapolitan neighbourhood and holiday beaches. For those reading as writers, read to see how Elena Ferrante creates place and how she develops character. The Story of a New Name may be a great summer read, but that doesn’t mean it isn’t also a story worth reflecting on “how” the magic happens.

Elena Ferrante creates a time and place that is drenched in tradition: a neighbourhood in 1960s Naples, and two women’s struggles to break the chains of their roles and male machismo.

The Story of a New Name is narrated by Elena Greco who unravels her complicated friendship with Lina/Lila Cerullo throughout the 471 pages of the book (the second in a series). The close bonds the girls shared through childhood are broken when Lina/Lila marries Stefano Carracci. With that ceremony, Lina becomes a wife and all that implies in the traditional 1960s Neapolitan neighbourhood. Lina/Lila, however, doesn’t embrace expectations. Elena remains in school struggling for books and space to study, and to experiment in her own way with blossoming sexuality and unrequited love.

I understood suddenly why I hadn’t had Nino, why Lila had had him. I wasn’t capable of entrusting myself to true feelings. I didn’t know how to be drawn beyond the limits.

Ferrante is a master storyteller. Quickly we’re engrossed in the lives of the neighbourhood, the interpersonal entanglements, local politics, and money. But at its heart, this story is a story of friendship overcoming obstacles—many created by the girls themselves.The girl-women are opposites in many ways: Lina/Lila marries into relative wealth; Elena struggles for schoolbooks and space to study. Their temperaments and morals are also polar opposites. Lina/Lila goes after what she wants, recreates herself; Elena holds back and her transformation comes slowly. But like the yin and yang of self, they are bonded.

…Lila knew how to draw me in. And I was unable to resist: on the one hand I said that’s enough, on the other I was depressed at the idea of not being part of her life, of the means by which she invented it for herself. What was that deception but another of her fantastic moves, which were always full of risks? The two of us together, allied with each other, in the struggle against all.

The Story of a New Name took me in deep into a time and place unknown to me, but one clearly lived by the author who shares her name with the fictional narrator of this story. (For a story of friendship between men, check out What I Loved.

For those reading as writers, think about how Ferrante creates place and character, and how she builds the tension that keeps us turning pages.

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Available through your local bookstore or online: The Story of a New Name