Review: Into the Wilds of Papua New Guinea (The White Mary by Kira Salak)

The black waters of Elobi Creek show no sign of a current. It is another dead waterway, Marika tells herself, one that will breed only mosquitoes and crocodiles. Another waterway that somehow reflects – in the darkness of the water, in its stillness – all of her failings. These waters, this breathless heat, seem to be waiting for a response from her, a call to action.

The White Mary takes us deep into the breath-taking jungles and over the mountains of Papua New Guinea. It is a geography Kira Salak – who has won a PEN award for journalism – knows well and one that she’s written about as a journalist. Four Corners is a nonfiction account of a trip she made to PNG. The White Mary, however, is a fiction that draws on Salak’s adventures and demonstrates her writing skills.

On the surface, Marika – who is The White Mary – sets out to discover whether her hero, award-winning journalist Robert Lewis, is actually dead. On another level, she quests for herself.

Traumatized by on-the-job “risk-taking and near-death escapes” as a war-reporter, Marika’s personal life crumbles. During her freefall she becomes obsessed with Lewis and begins writing his biography. The idea that Lewis could have committed suicide repels her, and she begins tracing his steps. The journey she undertakes is harrowing and utterly believable.

We see the pictures in National Geographic of lost tribes and read about rumours that cannibalistic others exist deeper in insect-infested swampland not yet explored by adventurers and anthropologists. Salak takes us on one of these “interior” forays. She sketches scenes and evokes wonder and despair. Her characters exhibit empathy, repulsion, fear, kindness, and desperation – the whole range of humanness, including greed and destruction.

Years ago, I worked with a woman who taught English as a second language in Papua New Guinea. This was during the time after the eastern half of island became independent (of Australia), although remained part of the British Commonwealth. (The western half is controlled by Indonesia and known as Papua and West Papua.) My colleague was there prior to the 1988 uprising that killed 20,000 people. The island has a history of being a complex and troubled part of the world. So, I was primed to discover more about this island in Melanesia; I wasn’t disappointed.

Written in the tradition of jungle-adventure stories, The White Mary gives us a convincing human drama that unfolds in the harshest of environments – in canoes that leak, on foot across swamps where leeches and snakes are not the only dangers, where witchcraft abounds, and where supplies are few: “some fire-making implements, water-filled gourds, and walnut-sized betel nuts to chew.” In this place (within and without), Marika feels “…there’s too much pain. The pit is bottomless, vast. There’s just too much….[H]er screams won’t stop. Her cries clog her throat, and she chokes and wails.” Her tough exterior breaks. But this is not the end of the story. For that, you will need to visit your library or bookstore.

10 The White Mary

Available from your local bookstore and online: The White Mary

Review: Lost in the Southern Atlantic (Hippolyte’s Island by Barbara Hodgson)

…owners of small sailboats…advised him to think big and those with big boats…urged him to think small. They showed him where their hulls were rotting and where their masts had cracked. They talked of the endless work, the alarming drain of money and the worry of storms, vandalism, and amateurs. And they told him, as they looked away from the land and out to the water, that they loved their boats and wouldn’t dream of giving them up.

To suggest that Hippolyte Webb is an eccentric character would be an understatement. He chases a dream, which could prove to be folly. In preparation for his travels, he takes a sailing class and conducts (some) research before adventuring in search of islands (the Auroras in the South Atlantic) that were recorded during the early 19th century but have since fallen off maps.

Hippolyte possesses a falling-over-the-edge creativity, as he dreams, prepares, and eventually sails away from the Falklands to his mysterious destination. He’s wrangled a book deal, which motivates note-making, photographing (he runs out of film), and sketching. Oh, yes, and he keeps a rather unique sailor’s log. He also muses,

“It’s a strange sensation to be slicing through the water in the dark with no idea what’s ahead or what’s been left behind.”

This reminds me of my first overnight sail between the Dutch Antilles and the British Virgin Islands. Other passages remind me of sudden storms, the terrifying racket of sails, and the tossing of the boat, bow-to-stern, and port-to-starboard. At one point, Hippolyte notes,

“If I had known the things I know now about being at sea, I never would have done this. I take so much for granted on land; taking anything for granted at sea is certain doom.”

As you have likely guessed – I don’t think it’s a spoiler to say – Hippolyte finds the Auroras and makes a few discoveries of his own before returning to the Falklands and on to New York for the editing of his book. This is when we meet his editor Marie, who is not impressed with Hippolyte’s manuscript. She informs him:

“We simply need to address tense, grammar, pacing, chronology, style, and balance. It’s a normal part of the process….”

Editors and writers who have been through the process of a book’s manufacture will giggle and shudder at the machinations both Marie and Hippolyte must endure. Toward the end of the story (apropos to nothing really, but beautiful), when Marie is doing some extraordinary fact-checking, there is a passage that establishes time, place, and mood (maybe apropos to something). So, for the writers among readers:

“They headed off past the tree, which was heavy with already fermenting, wizened little apples and swarming with early wasps. The tops of long weeds brushed Marie’s hands, burrs attached themselves to her clothing, flies and wasps flew into her face. And it was hot. After fifteen minutes they arrived at the perimeter of a scraggly yard, fenced in with barbed wire.”

The islands metamorphose out of fog and invisibility. Marie metamorphoses too. Hippolyte remains quirky, enthusiastic, and full of surprises.

As you can tell, I sailed along with Hippolyte and relived some of my editing experiences. I enjoyed the book immensely, not least because of the illustrations – the sketches that appear amidst the type and the inserted pages from Hippolyte’s notes that include diagrams, maps, watercolours, sketches and photographs. Barbara Hodgson takes us on a magical journey in the discovery of the islands and Hippolyte’s writing of the tale.

 

Hippolyte’s Island won first prize for Prose Fiction, Alcuin Society Book Design Awards, and the Best Complete Book Design, Applied Arts Design and Advertising Annual.

Available from your local bookstore, or in paperback edition online: Hippolyte’s Island