Circling the Sun will appeal to readers who enjoyed The Paris Wife and who have not read other stories of Kenya’s colonial era, particularly Beryl Markham’s memoir or Karen Blixen’s Out of Africa. It’s a juicy read but repetitive in many of its details and expressions. Writers of historical fiction will take note to examine how the author leaps from historical fact into juicy fiction. For writers of bibliography, Circling the Sun provides a cautionary tale. Beware that you can become so engrossed in your research and character that you may slip deeply into your material and repeat phrases and scenes that are iconic and recognizable, leaving this reader scratching her head.
When Circling the Sun by Paula McLain about the flyer Beryl Markham came my way, I could hardly begin to start reading. Having read Markham’s memoir West with the Sun, I looked forward to McLain’s take on this adventurous woman’s life. I had also read Out of Africa by Markham’s contemporary Isak Dineson / Karen Blixen, and watched the movie of the same name many times (partly because I love John Barry’s soundtrack, which captures my mood-memories from a month long visit I made to Kenya in 2010). Another contemporary of Beryl Markham, Idina Sackville, has been written about in Frances Osborne’s The Bolter. Besides these stories, a bookshelf dedicated to African writing and writers brims. So, I curled up in my favourite chair with a tea ready to learn more and perhaps have my eyes opened to a new take on the early 20th century era when Kenya was a British colony and change was rampant.
Circling the Sun focuses on Beryl Markam’s childhood, which is unique—even when compared to that of other settler children—but l learned little that was new, although perhaps a bit more detail. Markham’s young adulthood as portrayed in Circling the Sun is limited to troubled relationships—with both men and women. The bibliography takes us up to her early flying days but doesn’t examine her flight across the Atlantic or her life after the landmark adventure (perhaps McLain hopes for a sequel). The sun Beryl Markham circles in this book is not the one that follows her across the ocean; it is, I suppose, the sun of youth’s annual seasons.
With a publisher like Bond Street Books / Doubleday, I anticipated original information and new revelations about the woman, place, and time. Too frequently as I read, I found phrases and images that felt repetitive from my other reading and Out of Africa the movie. For example, “I was in real trouble now”; “ ‘Oh, Berkeley, I’ve got myself in deep this time’”; and “I…lay my hand on his chest, feeling along the slick buttons of his shirt and the perfect piped edge of the cotton,” which is pretty much what Karen Blixen does to Denys in the movie. Perhaps someone who is not familiar with Beryl Markham’s memoir and with other writing about Kenya, especially during the early 20th century colonial era, might enjoy Paula McLain’s take on Markham’s life. However, if you are looking for a light read about a fictionalized woman during an exciting era, Circling the Sun will entertain you.
Available through your local bookstore or online: Circling the Sun
The Story of a New Name is a great summer read. It will take you into Italy, a specific Neapolitan neighbourhood and holiday beaches. For those reading as writers, read to see how Elena Ferrante creates place and how she develops character. The Story of a New Name may be a great summer read, but that doesn’t mean it isn’t also a story worth reflecting on “how” the magic happens.
Elena Ferrante creates a time and place that is drenched in tradition: a neighbourhood in 1960s Naples, and two women’s struggles to break the chains of their roles and male machismo.
The Story of a New Name is narrated by Elena Greco who unravels her complicated friendship with Lina/Lila Cerullo throughout the 471 pages of the book (the second in a series). The close bonds the girls shared through childhood are broken when Lina/Lila marries Stefano Carracci. With that ceremony, Lina becomes a wife and all that implies in the traditional 1960s Neapolitan neighbourhood. Lina/Lila, however, doesn’t embrace expectations. Elena remains in school struggling for books and space to study, and to experiment in her own way with blossoming sexuality and unrequited love.
I understood suddenly why I hadn’t had Nino, why Lila had had him. I wasn’t capable of entrusting myself to true feelings. I didn’t know how to be drawn beyond the limits.
Ferrante is a master storyteller. Quickly we’re engrossed in the lives of the neighbourhood, the interpersonal entanglements, local politics, and money. But at its heart, this story is a story of friendship overcoming obstacles—many created by the girls themselves.The girl-women are opposites in many ways: Lina/Lila marries into relative wealth; Elena struggles for schoolbooks and space to study. Their temperaments and morals are also polar opposites. Lina/Lila goes after what she wants, recreates herself; Elena holds back and her transformation comes slowly. But like the yin and yang of self, they are bonded.
…Lila knew how to draw me in. And I was unable to resist: on the one hand I said that’s enough, on the other I was depressed at the idea of not being part of her life, of the means by which she invented it for herself. What was that deception but another of her fantastic moves, which were always full of risks? The two of us together, allied with each other, in the struggle against all.
The Story of a New Name took me in deep into a time and place unknown to me, but one clearly lived by the author who shares her name with the fictional narrator of this story. (For a story of friendship between men, check out What I Loved.
For those reading as writers, think about how Ferrante creates place and character, and how she builds the tension that keeps us turning pages.
Available through your local bookstore or online: The Story of a New Name